pontormo ne demek?

Jacopo Carucci (24 Mayıs 1494–2 Ocak 1557), genellikle Pontormo olarak bilinen ve eğitimini Leonardo da Vinci, Piero di Cosimo ve Andrea del Sarto'dan almış olan Maniyerist ressam.¹ Çalışmaları, Floransa Rönesansı'nda görülen perspektif düzenliliğinden derin bir üslup kaymasını temsil ediyor.²³⁴

Mantık dışı unsurlarla dolu olan Maniyerist üslubu seven Pontormo'nun eserlerinde⁵ sık sık hiçbir yere çıkmayan merdivenler ve mantıksız orantılar görülür.⁶

Galeri

Dosya:Jacopo Pontormo 038.jpg Dosya:Pontormo-visitation-after-restorationRGB.jpg Dosya:Jacopo_Pontormo_032.jpg|sol|küçükresim| Joseph Mısır'da, 1515 – 1518; Ahşap üzerine yağ; 96 x 109 cm; Ulusal Galeri, Londra]] Dosya:Jacopo_Pontormo_047.jpg|sağ|küçükresim| Vertumnus ve Pomona'nın lunetinden, 1520 – 21]] Dosya:Jacopo_Pontormo_-_Kreuzabnahme_Christi.jpg|küçükresim| Haçtan Tahliye, 1525 – 1528]] Dosya:Pontormoannunciation.jpg|sol|küçükresim| Müjde, fresk]] Dosya:Pontormo_-_Portrait_of_Maria_Salviati_de'_Medici_with_Giulia_de'_Medici_-_Walters_37596.jpg|sağ|küçükresim| Ünlü askeri lider Giovanni delle Bande Nere de' Medici'nin eşi Maria Salviati ve çocuğun babasının öldürülmesinden sonra Maria'nın bakımına bırakılan Medici akrabası Giulia'nın portresi; ⁷ Walters Sanat Müzesi]] Dosya:Pontormo_(Jacopo_Carucci)_(Italian,_Florentine)_-_Portrait_of_a_Halberdier_(Francesco_Guardi%3F)_-_Google_Art_Project.jpg|sağ|küçükresim|263x263pik| Bir Halberdier Portresi, 1528 – 1530, tuval üzerine yağlıboya, J. Paul Getty Müzesi, Los Angeles]] Dosya:Agnolo_Bronzino_058.jpg|sağ|küçükresim|253x253pik| Kırmızılı Bir Kadının Portresi, yak. 1532 – 1535, panel üzerine yağlı boya, Städelsches Kunstinstitut und Städtische Galerie, Frankfurt; çeşitli Pontormo veya Bronzino'ya atfedilen ⁸]]

Kaynakça

Rönesans

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Strehlke, C. B., Cropper, E., & Philadelphia Museum of Art. (2004). Pontormo, Bronzino, and the Medici: The Transformation of the Renaissance Portrait in Florence. Philadelphia: Philadelphia Museum of Art in association with the Pennsylvania State University Press. p. 108. ↩